English Magic and Imperial Madness

English Magic and Imperial Madness

Author: Peter D. Mathews

Publisher: McFarland

ISBN: 9781476644943

Category: Literary Criticism

Page: 178

View: 762

Regency England was a pivotal time of political uncertainty, with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, the book offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.

English Magic and Imperial Madness

English Magic and Imperial Madness

Author: Peter D. Mathews

Publisher: McFarland

ISBN: 9781476686271

Category: Literary Criticism

Page: 178

View: 364

Regency England was a pivotal time of political uncertainty, with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, the book offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.

Magic Words, Magic Worlds

Magic Words, Magic Worlds

Author: Matthew Oliver

Publisher: McFarland

ISBN: 9781476687131

Category: Literary Criticism

Page: 284

View: 769

While all fiction uses words to construct models of the world for readers, nowhere is this more obvious than in fantasy fiction. Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy. Close readings of selected novels by such writers as Steven Erikson, Ursula Le Guin, N. K. Jemisin and Brandon Sanderson offer insights into the significant implications of fantasy's use of syntax, perspective, paratexts, frame narratives and more. Re-examining critical assumptions about the reading experience of epic fantasy, this work explores the genre's reputation for flowery, archaic language and its ability to create a sense of wonder. Ultimately, it argues that epic fantasy shapes the way people think, examining how literary representation and style influence perception.

Discovering Dune

Discovering Dune

Author: Dominic J. Nardi

Publisher: McFarland

ISBN: 9781476646725

Category: Literary Criticism

Page: 285

View: 507

Frank Herbert's Dune is one of the most well-known science fiction novels of all time, and it is often revered alongside time-honored classics like The Lord of the Rings. Unlike Tolkien's work, the Dune series has received remarkably little academic attention. This collection includes fourteen new essays from various academic disciplines--including philosophy, political science, disability studies, Islamic theology, environmental studies, and Byzantine history--that examine all six of Herbert's Dune books. As a compendium, it asserts that a multidisciplinary approach to the texts can lead to fresh discoveries. Also included in this collection are an introduction by Tim O'Reilly, who authored one of the first critical appraisals of Herbert's writings in 1981, and a comprehensive bibliography of essential primary and secondary sources.

Speculative Modernism

Speculative Modernism

Author: William Gillard

Publisher: McFarland

ISBN: 9781476683331

Category: Literary Criticism

Page: 253

View: 799

Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.

Arab and Muslim Science Fiction

Arab and Muslim Science Fiction

Author: Hosam A. Ibrahim Elzembely

Publisher: McFarland

ISBN: 9781476685236

Category: Literary Criticism

Page: 397

View: 395

How is science fiction from the Arab and Muslim world different than mainstream science fiction from the West? What distinctive and original contributions can it make? Why is it so often neglected in critical considerations of the genre? While other books have explored these questions, all have been from foreign academic voices. Instead, this book examines the nature, genesis, and history of Arabic and Muslim science fiction, as well as the challenges faced by its authors, in the authors' own words. These authors share their stories and struggles with censors, recalcitrant publishers, critics, the book market, and the literary establishment. Their uphill efforts, with critical contributions from academics, translators, and literary activists, will enlighten the sci-fi enthusiast and fill a gap in the history of science fiction. Topics covered range from culture shock to conflicts between tradition and modernity, proactive roles for female heroines, blind imitation of storytelling techniques, and language games.

The Self and Community in Star Trek: Voyager

The Self and Community in Star Trek: Voyager

Author: Susan M. Bernardo

Publisher: McFarland

ISBN: 9781476667713

Category: Performing Arts

Page: 190

View: 135

After they are pulled 70,000 light-years away from Alpha Quadrant, the captain and crew of Star Trek: Voyager must travel homeward while exploring new challenges to their relationships, views of others, and themselves. As the first extended, critical study dedicated to Star Trek: Voyager, this book examines how the series uses the physical distance from the crew's home quadrant and the effect this has on the dynamics among community formation, self-creation and a sense of place. Chapters cover topics such as time travel, leadership models, interspecies relationships, the impact of trauma, models of self-creation and individuality, environmental influences on groups and individuals, memory, nostalgia, and how spiritual experiences affect people. The holographic Doctor and the former Borg, Seven of Nine, stand out as complex and boundary-stretching figures.

Magic Or Madness

Magic Or Madness

Author: Justine Larbalestier

Publisher:

ISBN: UOM:39015062522381

Category: Juvenile Fiction

Page: 271

View: 651

From the Sydney, Australia home of a grandmother she believes is a witch, fifteen-year-old Reason Cansino is magically transported to New York City, where she discovers that friends and foes can be hard to distinguish.