Style from the Nile

Style from the Nile

Author: Isabella Campagnol

Publisher: Pen and Sword History

ISBN: 9781399098106

Category: Design

Page: 272

View: 781

In November 1922, the combined efforts of Howard Carter and Lord Carnarvon revealed to the world the 'wonderful things' buried in Tutankhamen’s tomb, Egypt had already been a source for new trends in fashion for quite some time: in the early 19th century, for example, Napoleon’s Egyptian campaign contributed to the popularization of Kashmir shawls, while the inauguration of the Suez Canal in 1869 stimulated 'Egyptianizing' trends in gowns, jewellery and textiles. Post-1922, a veritable Egyptomania craze invested all artistic fields, quickly becoming a dominant Art Deco motif: “flapper-style” dresses were elaborately embroidered with beaded “Egyptian” patterns, evening bags were decorated with hieroglyphics, brooches nonchalantly sported ancient scarabs, and the sleek black bobs favored by the admired icons of the time, Louise Brooks and Clara Bow, looked up to the fabled Egyptian beauty of Nefertiti and Cleopatra. Egyptomania often resurfaces in 21st-century fashion as well: the awe-inspiring John Galliano’s designs for Dior Spring-Summer 2004 brought back pharaonic crowns in lieu of headdresses in a triumph of gold-encrusted creations, the ancient practice of mummification was referenced by Iris van Herpen’s Fall 2009 collection and Egyptian vibes resonated in Chanel's Métiers d’Art 2018/2019 collection. Through the combination of rigorous fashion history research, intriguing images and well-informed, but approachable, writing, Style from the Nile offers a comprehensive overview of a fascinating phenomenon that, to this day, continues to have a mesmerizing appeal.

Ebony

Ebony

Author:

Publisher:

ISBN:

Category:

Page: 160

View: 755

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

The Uganda protectorate; an attempt to give some description of the physical geography, botany, zoology, anthropology, languages and history of the territories under British protection in East Central Africa, between the Congo Free State and the Rift Valley and between the first degree of south latitude and the fifth degree of north latitude

The Uganda protectorate; an attempt to give some description of the physical geography, botany, zoology, anthropology, languages and history of the territories under British protection in East Central Africa, between the Congo Free State and the Rift Valley and between the first degree of south latitude and the fifth degree of north latitude

Author: Harry Hamilton Johnston

Publisher: Dalcassian Publishing Company

ISBN:

Category: Africa

Page: 1018

View: 296

River Tourism

River Tourism

Author: Bruce Prideaux

Publisher: CABI

ISBN: 9781845934682

Category: Nature

Page: 279

View: 202

This book explores river tourism from a range of perspectives including river uses, heritage, management, environmental concerns, and marketing. The book has 15 chapters and an index. The intended readership includes researchers and students of leisure and tourism.

The World from 1000 BCE to 300 CE

The World from 1000 BCE to 300 CE

Author: Stanley M. Burstein

Publisher: Oxford University Press

ISBN: 9780199336166

Category: History

Page: 176

View: 423

This book provides the first comprehensive history of Afro-Eurasia during the first millennium BCE and the beginning of the first millennium CE. The history of these 1300 plus years can be summed up in one word: connectivity. The growth in connectivity during this period was marked by increasing political, economic, and cultural interaction throughout the region, and the replacement of the numerous political and cultural entities by a handful of great empires at the end of the period. In the process, local cultural traditions were replaced by great traditions rooted in lingua francas and spread by formalized educational systems. This process began with the collapse of the Bronze Age empires in the east and west, widespread population movements, and almost chronic warfare throughout Afro-Eurasia, while the cavalry revolution transformed the nomads of the central Asian steppes into founders of tribal confederations assembled by charismatic leaders and covering huge territories. At the same time, new artistic and intellectual movements appeared, including the teachings of Socrates, Confucius, the Buddha, and Laozi. Increased literacy also allowed people from a wide range of social classes such as the Greek soldier Xenophon, the Indian Buddhist emperor Ashoka, the Roman emperor Marcus Aurelius, and elite women such as the poetess Sappho, the Christian martyr Perpetua, and the scholar Ban Zhao to create literary works. When the period ended in 300 CE, conditions had changed dramatically. Temperate Afro-Eurasia from the Atlantic to the Pacific was dominated by a handful of empires--Rome, Sassanid Persia, and Jin Empire-that ruled more than half the world's population, while an extensive network of trade routes bound them to Southeast and Central Asia and Sub-Saharan Africa and made possible the spread of new book based religions including Christianity, Manichaeism, Zoroastrianism, and Buddhism, thereby setting the stage for the next millennium of Afro-Eurasian history.

A Companion to Ancient Egyptian Art

A Companion to Ancient Egyptian Art

Author: Melinda K. Hartwig

Publisher: John Wiley & Sons

ISBN: 9781444333503

Category: Literary Criticism

Page: 629

View: 782

A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’