Geoff Bridgers The Great War Handbook answers many of the basic questions newcomers ask when confronted by this enormous and challenging subject not only what happened and why, but what was the Great War like for ordinary soldiers who were caught up in it. He describes the conditions the soldiers endured, the deadly risks they ran, their daily routines and the small roles they played in the complex military machine they were part of. His comprehensive survey of every aspect of the soldiers life, from recruitment and training, through the experience of battle and its appalling aftermath, is an essential guide for students, family historians, teachers and anyone who is eager to gain an all-round understanding of the nature of the conflict. His authoritative handbook gives a fascinating insight into the world of the Great War - it is a basic book that no student of the subject can afford to be without.
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
View any image of a Tommy and his uniform becomes an assumed item, few would consider where and how that uniform was made. Over 5 million men served on the Western Front, they all required clothing. From August 1914 to March 1919, across all theaters of operations, over 28 million pairs of trousers and c.360 million yards of various cloth was manufactured.Worn by men of all ranks the uniform created an identity for the fighting forces, distinguished friend from foe, gave the enlisted man respect, a sense of unity whilst at the same time stripping away his identity, turning a civilian into a soldier. Men lived, worked, slept, fought and died in their uniform.Using the authors great-grandfather's war service as a backdrop, this book will uncover the textile industries and home front call to arms, the supply chain, salvage and repair workshops in France, and how soldiers maintained their uniform on the front line.Items of a soldiers uniform can become a way to remember and are often cherished by families, creating a tangible physical link with the past, but the durability of cloth to withstand time can create an important legacy. The fallen are still discovered today and remnants of uniform can help to identify them, at the very least the color of cloth or type of hob nail can give the individual his nationality allowing them to be given a final resting place.
When news of the war first broke out in 1914, the citizens of Peterborough could not have been prepared for the changes that would occur over the next four years. This book takes a detailed looks at Peterborough's involvement in the Great war from when it commenced in July 1914, to the Armistice in November 1918, covering in great detail its affect on the city and the every day lives of its people. For example, the factory Werner Pfeiderer & Perkins at Westwood Works was forced to change its name to Perkins Engineers due to the anti-German feeling at the outbreak of the war.One in six of Peterborough's working age men did not return from the front line, and in one single day forty-six men from the city lost their lives. Many of these men came from Peterborough's factories. As a result, these factories looked to women to produce armaments and tanks, as well as repairing guns used in the trenches.Edith Cavell, the famous British nurse, grew up in Peterborough and was shot dead in 1915 for assisting the escape of Allied soldiers from Belgium. Peterborough in the Great War is a poignant testimony not only to her bravery, but that of the city's people and their momentous efforts.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Many more suffered terrible, life-threatening injuries: wound infections such as gas gangrene and tetanus, exposure to extremes of temperature, emotional trauma and systemic disease. In an effort to alleviate this suffering, tens of thousands of women volunteered to serve as nurses. Of these, some were experienced professionals, while others had undergone only minimal training. But regardless of their preparation, they would all gain a unique understanding of the conditions of industrial warfare. Until recently their contributions, both to the saving of lives and to our understanding of warfare, have remained largely hidden from view. By combining biographical research with textual analysis, Nurse writers of the great war opens a window onto their insights into the nature of nursing and the impact of warfare.
The poetry of the First World War remains a singularly popular and powerful body of work. This Companion brings together leading scholars in the field to re-examine First World War poetry in English at the start of the centennial commemoration of the war. It offers historical and critical contexts, fresh readings of the important soldier-poets, and investigations of the war poetry of women and civilians, Georgians and Anglo-American modernists and of poetry from England, Ireland, Scotland, Wales and the former British colonies. The volume explores the range and diversity of this body of work, its rich afterlife and the expanding horizons and reconfiguration of the term 'First World War Poetry'. Complete with a detailed chronology and guide to further reading, the Companion concludes with a conversation with three poets - Michael Longley, Andrew Motion and Jon Stallworthy - about why and how the war and its poetry continue to resonate with us.
The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Great War Britain Hull & the Humber offers an intimate portrayal of the city and its people living in the shadow of the 'war to end all wars'. A beautifully illustrated and highly accessible volume, it describes local reaction to the outbreak of war; the experience of individuals who enlisted; the changing face of industry; the work of the many hospitals in the area; the effect of the conflict on local children; the women who defied convention to play a vital role on the home front; and concludes with a chapter dedicated to how the city and its people coped with the transition to life in peacetime once more. The Great War story of Hull is told through the voices of those who were there and is vividly illustrated through evocative images from Hull City Archives.
The 1914-18 war has been referred to as the 'chemists' war' and to commemorate the centenary, this collection of essays will examine various facets of the role of chemistry in the First World War. Written by an experienced science writer, this book will be of interest to scientists and historians with an interest in this technologically challenging time.
A landmark study which reconsiders in fresh and illuminating ways the classic themes of the nation's history since the sixteenth century, as well as a number of new topics which are only now receiving detailed attention. Places the Scottish experience firmly in an international historical experience.
"In this seminal work, Ian F. W. Beckett challenges the cliched images of the Great War that have come to dominate popular culture. Rather than dismissing the War as an exercise in mindless futility, he argues that, on the contrary, it was vital to the national interests of its participants, and shows how what originated as a European affair became a global event involving not only the extended colonial empires of European nations but also Japan, China, the Ottoman Empire, Latin America and the United States."--BOOK JACKET.
This well-known author has produced yet another excellent guide for researching ancestors who have served in the Army. The book is an ideal text for reference when investigating army personnel. Military Archive Research.comA splendid publication with a great deal of valuable information. Michael Brooker, Guild of Battlefield GuidesWhether you are interested in the career of an individual officer, researching medals awarded to a soldier, or just want to know more about a particular battle or campaign, this book will point you in the right direction. Assuming the reader has no prior knowledge of the British Army, its history or organization, Simon Fowler explains what records survive, where they are to be found and how they can help you in your research. He shows how to make the best use of the increasing number of related resources to be found online, and he pays particular attention to explaining the records and the reasons behind their creation, as this information can be very important in understanding how these documents can help your research.