Shinobu is dyslexic, which makes it hard for him to read and write. But a chance meeting has led to him writing the script for a play. Members of the theater troupe help him as he wrestles with words, and he manages to finish the script. But the star of the play, Ru, seems cold to Shinobu for some reason...? Shinobu's struggles move hearts in volume 3!
This book is not for the faint of heart. This Explooosive compendium of Konosuba content is a must-have for isekai hopefuls, collectors, and diehard fans of Natsume Akatsuki’s isekai adventure comedy masterpiece. Every character, every joke, every spinoff has been faithfully represented and acknowledged in this full-color love letter to Konosuba enjoyers worldwide! And the fun doesn’t end there! Exclusive art, interviews, and a special short story are just a few of the extra goodies featured within. If you consider yourself the ultimate Konosuba enthusiast, or if you’re just getting into the series and feel like having a handy reference tool, this gorgeous art book will be right at home on your shelf!
Have you ever wondered why a rainbow is curved? Or why left-handers aren't extinct? How a sunflower is like a synchronised swimmer, or a lightning bolt is like a blood vessel? The answer to all these questions and more can be summed up in one simple word: MATHS. As the inimitable Eddie Woo explains, maths is not just about numbers. Maths is about patterns, and our universe is extraordinarily patterned. With enthusiasm and wonder, Eddie is here to help us discover these patterns. With engaging clarity and entertaining anecdotes, Eddie demonstrates the intricacy of maths in all the things we love - from music in our iPods to our credit cards. Filled with humour and heart, this book will fascinate, entertain and illuminate the maths that surrounds us. This is a specially formatted fixed layout ebook that retains the look and feel of the print book. LONGLISTED FOR THE ABIA GENERAL NON-FICTION BOOK OF THE YEAR 2019 PRAISE FOR EDDIE WOO "I never thought I'd read a maths book cover to cover, let alone sing its praises. Eddie Woo makes maths fun, accessible and relevant. Now we can all benefit from his extraordinary skill as a teacher." JENNY BROCKIE, journalist and TV host "Not just a great teacher, Woo's Wonderful World of Maths shows Eddie to be a storyteller too. Is there anything the Woo cannot do?" ADAM SPENCER, Ambassador for Mathematics, University of Sydney
Dieser 8. Band zu Private Equity ist ein Muss für (Rechts-)Berater und Akteure der Private Equity und Venture Capital-Welt. Die Beiträge decken Themen ab wie die neuen SPAC- und SPARKS- Möglichkeiten an der SIX Swiss Exchange, Investorenschutz bei Finanzierungsrunden, geeignete Incentive Strukturen, Risiken von Verwaltungsratsmandaten in Start-ups, DLT-Regulierung und Kryptowelt sowie die Nutzbarmachung des neuen Aktienrechts für Private Equity und Venture Capital. Sie basieren auf den Vorträgen erfahrener Fachexperten anlässlich der 8. Tagung zu Private Equity des Europa Instituts an der Universität Zürich vom April 2022. Zusammen mit den bisher erschienen Bänden liegt ein Sammelwerk vor über die wichtigsten Themen von Private Equity und Venture Capital, verfasst von führenden Experten auf diesem Gebiet.
Life's full of clatter, but none of it matters, only who'll hold your paw when you die. What would you do if you lost an hour from your day? How far would you go to rescue what you've lost? In search of a lost hour that that has tipped the balance of her life, Lisa Jones is on a quest through a surreal world, filled with insecurity guards, flying cars, singing polar bears and wild-goose chases. The inhabitants of Dissocia are a curious blend of the funny, the friendly and the downright brutal. Anthony Neilson's cult play is a poignant and comical delve into the nature of mental illness. This edition was published to coincide with the major London revival at Theatre Royal Stratford East in September 2022.
This book provides a lively and visual introduction to Einstein's theory of relativity. It brings to life the excitement of this fascinating subject, for an audience including young people at school (post-16) and the general public with an interest in modern physics. It is different from existing books in that is uses many diagrams and simple equations (the reader is carefully guided through them), and richly rewards the reader with beautiful mathematical and physical insights. It begins by introducing spacetime, in the familiar context of low velocities. It then shows how Einstein's theory forces us to understand time in a new way. Paradoxes and puzzles are introduced and resolved, and the book culminates in a thorough unfolding of the relation between mass and energy. The book draws on the author's many years of experience in writing articles and reviews for a non-expert readership, and presenting physics to school pupils.
From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.